Girl On the Train Has Echoes of Hitchcock and Kurosawa
In a set up that Alfred Hitchcock would like, in Girl On the Train, Rachel (Emily Blunt) is a divorced, vodka drinking young woman who dresses in a business suit to ride the commuter train each day. She no longer has the job she needed for the suit, but she enjoys peering in the houses that pass by—especially the one inhabited by her former husband and his new family, and the lusty young couple who live next door. When she spies the neighbor woman flirting with another man, Rachel goes on a bender and wakes up with a bloody head wound, a loss of memory and a detective asking pointed questions. The rest of the film is a Rashomon-like recollection from each of the women involved with director Tate Taylor deftly elaborating the book’s inner dialogues by opening them up onscreen. You will quickly learn that memory is a very elusive commodity.